Lyra

Napowrimo, Day 23, and it has to be about the Lyrid meteor showers. As it’s in the form of a sonnet, and today is reputed to be Shakespeare’s birthday, it also fits with Imaginary Garden with Real Toads prompt 

Tiny specks of light, hip-hop through the night,
itsy tails and trails, a thrill for eyes that see.
Lyra shows her faces ~ mini traces ~
while the gibbous moon beams with shadowed hope.
Lying on the grass, the cool of moist turf,
staring at the night sky, waiting for a glimmer,
wrapped up warmly, earthlings view the heavens
and think ‘eternity’ and things ethereal.
The annual Lyrid meteor shower peaks ~ throws
glimpses to those waiting far below ~ shows
the watchers that it is so worth the wait,
the wait, for tiny specks of light that dance.

The patient watchers are entranced, and know
what it is, to see skies in their glory.

Polly Robinson © 2013

Lyrid Meteor Shower (Photo credit: David Kingham)

This photo is a close representation of what I saw tonight, though there were more. It took a while for my eyes to get used to the night sky, but after a time the twinkling became ‘trackable’ and these tiny specks became evident ~ marvellous ~ a true wonder. Click on the image to see it more clearly

Girl’s Got Rhythm

If you’d like a copy of Girl’s Got Rhythm, my first collection of poems, copies are now available directly from me and I’d be delighted to forward one (or more!) to you. I’ll sign / inscribe it / them if you wish ~ just tell me who it is for or what you’d like me to write ~ £5 plus £1 P&P in UK. I’ll work out the P&P if you’re overseas. Let me know where you are located and I’ll come back to you with the costs.

Lune: Dig It

Grace (aka Heaven) of Imaginary Garden With Real Toads asks for ‘lunes.’  I’ve chosen the Kelly Lune, an American haiku form based on syllables (one line of five, one line of three, last line of five; in a single stanza or multiples of same). This will also be today’s contribution to Napowrimo.

She digs and digs and
loves the soil
rich with warm compost

Polly Robinson © 2013

Steaming Tea

Day 21 Napowrimo, at dVerse Poetics Claudia is talking of springtime. And on the ‘Imaginary Garden with Real Toads‘ they’re focusing on World Earth Day, 22 April 2013, for their open link Monday.

Frost
surprises
on fewer
mornings,
beneath clarity: a sky of
blueness mirroring springtime,
in a slew of white
feathered streaks.

Birds trill, trees bud,
cyclamen leaves peek.
Lambs shout to their ma’s.
Soft, soft, the
wood pigeon calls.
Oh, and the daffodils,
the daffodils,
the glorious trumpeting
daffodils.

As my tea steams
in the chill morning air,
I look around
and beam,
at work
waiting
to begin.

Polly Robinson © 2013

Fevers

Mysterious fevers in Malvern,
fever in Worcester, burning her up.
The brave, sombre child,
did not understand why mama went away.
She came home frail, damaged, loving, yet
unspeakably sad.

Mama lost his brother.
The other.
The one who would have been his friend.
His best friend. His closest friend. The boy who would
look out for him. Be there for him. Always.
His love in the womb extends from the tomb.

Mother’s loss and tears stifled.
She was told, ‘get a grip’ and ‘move on,’ as if to forget
were possible.
The tiny child ~ innocent ~
a babe, never in arms.
No grieving for lost babies then,
they shuffled them away and
burned them in kilns
so no-one would miss them.

The mother suffers a lifetime of loss,
with an idea of how siblings feel.
We learnt these things painfully.
Today such babes are mourned,
buried. Time moves on and
we talk of tragedies.
Not so back then.

Polly Robinson © 2013

Elgar’s Hills

Day 20 and here is a poem about Edward Elgar’s inspiring hills for Napowrimo.

Around the corner
from Elgar’s house,
I see his favourite hills
every day.
Malvern,
where the skies rise
from the hills that
he found inspiring.

Polly Robinson © 2013

English: Malvern Hills in June 2005 (Photo credit: Wikipedia)

Tip the Windmill

Day 19 Napowrimo

We look after our feet
to keep walking
and our skin
for comfort and care;
an observation,
in wellness defined …
think of yourself,
don’t ignore your mind.

The fragile mind,
full of vim and vigour,
deserves our attention too.

By and large
it keeps in good health,
yet a day may dawn
when almost by stealth
it no longer functions in
quite the same way.
They dole out meds,
maybe something is said, that

tilts the balance,
tips the windmill,
turns the head,
away.

Polly Robinson 2013

Books

Day 18 Napowrimo prompt challenges us to write a poem that begins and ends with the same word.

Books, they line the walls,
they’re piled on the floor,
the tomes that you and I adore,
books.

They keep us quiet,
make us cry,
with wibbly words we so enjoy,
books.

We read ‘em,
we write ‘em,
fight always to keep ‘em,
books.

Covers, they bind us,
pictures delight,
chapters keep turning deep into the night,
books.

We laugh out loud,
at escapades,
thrill to chillers that talk of the grave,
books.

We learn, we yearn,
see falls from grace,
life mirrored and echoed by worlds embraced in
books.

Genres to please each tang and taste,
romance and history,
tragedy, mystery, smooth and whiskery,
books.

Fiction and faction,
biog’s and auto’s,
text books and how-to’s with lots of photos,
books.

The smell of the paper,
or flick of the ebook,
whichever we favour we’ll never be stuck
for a jolly good read
from books.

Polly Robinson © 2013

Greetings!

Napowrimo, Day 17, and the prompt is to write poems of greeting. While over at Imaginary Garden with Real Toads, they’ve asked for a hello / goodbye poem too

Greetings!
I’m from Ibble-Wibble
you might have heard of us
the Ibble-Wibblers have a song
and it is sung like this:

Ibble, wibble, wobble, way,
A silly poem I write today,
Ooty, scooty, mooty, moo,
If I can do it, you can too!

Polly Robinson © 2013

Ibble Wibble

Day 16 and Napowrimo asked us to translate a poem ~ I couldn’t enter into the spirit of this one, so have done a nonsense poem instead.

Ibble, wibble, wobble, way,
A silly poem I write today,
Ooty, scooty, mooty, moo,
If I can do it, you can too!

Polly Robinson © 2013

Safe Hands

For Day 15, Napowrimo’s prompt is to write a pantun, not a pantoum, a pantun. The pantun is a traditional Malay form that consists of rhymed quatrains (abab), with 8-12 syllables per line. The first two lines of each quatrain aren’t meant to have a formal, logical link to the second two lines, although the two halves of each quatrain are supposed to have an imaginative or imagistic connection.

Hand lotion soothes away the cares of the day,
Smoothes and eases, makes skin comfortable,
Children sleep and dream their dreams away,
Safe, someone there, should nightmares trouble.

Polly Robinson © 2013

Voice and Flowers

Day 14 and Napowrimo wants a persona poem – ‘that is, a poem in the voice of a particular person who isn’t you.’

A ‘poem in the voice of a superhero (or a supervillain)’ was suggested. ‘Comic book characters are very much like mythological characters — they tend to embody big-picture values or personality traits. Good or bad. Loyal or disloyal!’ Greek myth it is, then.

I am proud and I hunt.
You may have heard,
I found my Nemesis,
or rather, she found me,
me, me, me, me.
That wretched Echo
kept following me,
me, me, me, me.

I found it beneath contempt,
so I shouted,
‘Who’s there?’
And she, a mountain nymph,
of all things,
replied ‘Who’s there?’
like she didn’t know me,
me, me, me, me.

Well, no-one told me she’d
been cursed
by Hera,
couldn’t do anything other
than repeat,
repeat, my words.
She was following me,
me, me, me, me.

And now everyone hears her
forever,
as they see me,
me, me, me, me.
I rest beside river banks
a pale flower
that peers at its own
beauty.

Polly Robinson © 2013

Echo and Narcissus as Amaterasu and Susano in a Mirror (Photo credit: timtak)

He Calls

Over at dVerse, Brian Miller is our host for ‘Poetics‘ this week and asks us to write about monsters …

Maybe the monster’s ‘scary or hides under the bed until all the lights are out.
‘Maybe it’s human. Maybe it’s not. All I know is that at the end of this … there is a monster,’ says Brian, ‘Is it hairy with big teeth? What does it eat?’

The temperature rises,
crows caw, ground thaws, the moon is full.
The Lenten moon of winter.

Hark!
A bark.
He calls.

Teeth. Filthy, dripping teeth.
Werewolves change form beneath
the Full Crow Moon of winter.

Eyebrows meet at the bridge of his nose,
he grows bristles under his tongue.
No tail, swinging stride, a gaze to paralyse.

He strips off his clothes, his man clothes,
piles them by the roadside,
pees around them in a circle, satisfied,

he turns, howls, bounds to the woods.
Tears the flesh from recently interred cadavers,
drinks the blood of wounded soldiers.

He’s a corpse returned from
the grave
to fornicate.

She’s out all night. Doors and locks
spring open at her approach.
Wolf-women acquire

a dreadful desire for human flesh,
devour their own children
and those of others.

Strength, speed, stealth … shy, sly killers,
cochineal eyes,
bloodied teeth.

Watch out! Silver tipped canes create bubbling burns,
that make them yearn
for the silver bullet to the brain.

It’s merely a myth, simply a shape shift,
a bite, a scratch,
from one transformed …

Hark!
A bark.
He calls.

Hide your babies,
Lycaon serves human flesh
To Zeus.

Polly Robinson © 2013

Français : Le roi lycaon changé en loup par Zeus, Gravure du XVIe siècle (Photo credit: Wikipedia)

Up the Bridlepath

Day 13 at Napowrimo and our prompt for today is simply to take a walk. ‘Make notes — mental or otherwise — on what you see on your walk, and incorporate these notes into your poem.’

What do I see on my walk today …
empty crushed cartons line the lane,
the wind brings them here to irritate
country dwellers. Cold chip wrappings,
crisp packets, foil, soggy, crumpled plastic bottles.
But wait, further on, up the bridlepath,
through the crooked gate away from the road,
here are newts, grass snakes, a toad.
Up past the marsh bog a vixen appears,
over the mead, to the hedgerow she jogs.
And there, in the hedge, once the danger has gone,
a rabbit comes nibbling; skitters along.
Buzzards overhead, a pair, no three,
they’re looking down at the pheasant,
the rabbit, and me.
The pheasant croaks, cries, as if to warn
the rabbit, who runs through wet grass to …
[hold your breath!] Escape,
just in time as the buzzard dives.
Missed him!

That’s what I saw on my walk today.

Polly Robinson © 2013

The Lecturer

Napowrimo Day 12 and we’re asked to, “write a poem consisting entirely of things you’d like to say, but never would …” so I’ve immediately thought about a poem I posted in 2012, repeated below:

I don’t need you to lecture me
I don’t need you to hector me
I don’t need you to point out
The error of my ways.

I’m capable of thought myself
I too have learned my lessons
I detest your abject misery
Your supercilious nays.

You don’t know everything my dear
You don’t have dibs on knowledge
You cannot force your views on me
Hey, I too went to college!

You make folk feel uncomfortable
Because you don’t let go
You lecture, hector, make life hell
The one who always knows.

Polly Robinson © 2012

Labyrinthine

Day 11 at Napowrimo and a Tanka is required. Tankas are poems based on syllables, with a pattern of 5-7-5-7-7.

Labyrinthine, the tale
told by a twisted diva,
convoluted, dark,
past impinging on present,
baffling our heritage, so.

Polly Robinson © 2013

An Un-love Poem

Napowrimo Day Ten and we’re asked for an ‘un-love’ poem.

Golden band
Third finger
Left hand
Caged
And engaged
By diamonds

Polly Robinson © 2012

Night Club

For Napowrimo Day 9 we’re asked to write Noir

Half-hooded eyes flit the room,
from under his trilby,
weighing up the showgirls,
looking at the
diamond-patterned legs
that go up to their armpits,
attitude: bored.
Other trilbies nod as he enters,
they are waiting impatiently
shuffling their spat-covered shoes
pulling at their waistcoats,
buying last minute beer and chaser,
voices rise as the room becomes fuller.
The band, nine men strong, riffle
through the cream-coloured music sheets,
black ant notes visible from the bar.
They too are impatient.
From the back of the stage, shouts:
‘Get your hands offa me, I’m going on.’
Ears wag toward the stage curtain, but
the rejoinder cannot be heard.
She swings the curtain back dramatically,
see how it swishes as she makes her entrance.
Her eyebrows arch and we
can’t help but notice,
under the makeup,
bruising.
We know who gave them to her,
she will kill him one day,
then the man in the trilby at the top
of this story,
remember him, half hooded eyes
that flit the room?
Well, he’ll be onto it when she does it,
the cynical hard-boiled type,
always there first.

Polly Robinson © 2013

Awdl Gywydd: Raku

A repost of a poem from last year for A2LSM who is interested in form in poetry.

The Awdl Gywydd is a Celtic (Welsh) poetry form that complicates the end rhyme scheme by interlacing an internal rhyme throughout the poem on the second and fourth lines of each stanza. The end rhyme scheme is as follows: a,b,c,b… d,e,f,e, etc.. however, the internal (cross-rhyme) can be placed in either the 3rd, 4th, or 5th, syllable position.
Awdl Gywydd: Raku

Crickle, crackle, raku glaze,
Shattered craze of crafted pots,
Bisque ware fired in burning kilns,
Potters film, peel-off slip shocks.

Excitement lifts temperature,
Glaze is sure to be red hot,
Post fire unpredictable,
Flames a miracle new pot.

Polly Robinson © 2012

Raku ware is the type of Japanese pottery seen in the form of tea bowls in the Japanese tea ceremony. This type of pottery is tricky to fire relying on a complex process that many potters find exciting because it is unpredictable. Raku is more generally recommended for decorative purposes as it is delicate and can crumble if not properly glazed.  To find out more about raku click here.

Murderous Pigs

For today’s Napowrimo, because it’s the 8th, we’re trying to write in ottava rima — an Italian form that, in English, usually takes the form of an eight-line stanza of iambic pentameter, with a rhyme scheme of a-b-a-b-a-b-c-c.

heh-heh … here’s my last ditch attempt:

Gimlet-eyed pigs, gory and glorious,
known to be keen on anything to eat,
they move toward their prey, victorious,
for pigs will eat fine fair friends [and their feet].
A fat man climbs the hill, laborious,
the pigs they squeal dulcet death melodies,
puffing man falls, the pigs become wilder,
murderously biting the bones they fight for.

Polly Robinson © 2013