Writings and Witterings


Tonight! A Perigee Moon – second

For the second time this summer …

Perigee Moon

Fulsome, blowsy
closer to earth,
closer to man,
fuller and fatter
than the seas.
See her grave face
through the lens
of perigee,
think of the aeons
of this moon
and gravity
pulling higher tides.
The aim: diversity,
as the community
makes moon water.
All an illusion
as the silver moon hangs.

Polly Robinson © 2014


With acknowledgement to: http://beforeitsnews.com

With acknowledgement to: http://beforeitsnews.com


Here I Am…

…did you miss me? ;)

I’ve been away at The Hurst, on a wonderful Arvon course with ace poet Holly Magill. We had a fab time with tutors Patience Agbabi and Luke Kennard, and guest poet Katrina Naomi.
Here is a poem that came out of one of the sessions during which we discussed characters in poetry :)

The Paper Maker

Left, right, left, right,
quick march,
reams of paper,
white and starched.
Order restored,
all in place,
a gross for Mr Johnson
at the Poetry Place.

My name’s Charley,
Charley Waite,
‘course, they call me
Paper Waite,
the bloody kids
who want a job,
all through the summer.

They should be like me,
left school at fifteen,
did me no harm as you can see.
Stopping conscription
in nineteen sixty:
the worst thing that happened
for our kids.

Little shits,
graffiti-ing the mill.
I’ll give ‘em ‘summer job,’
they’ll get bugger all.
They can scrub
and clean
‘til those bricks
are pristine,

Left, right, left, right,
quick march,
reams of paper,
white and starched.
Order restored,
all in place,
a gross for Miss Chard
at the Post Office.

Polly Robinson © 2014

…and here are some marvellous photos courtesy of Richard Stephenson, all having a great time – click on the images to enlarge :)

Arvon poets at The Hurst 2014 - by Richard Stephenson

Arvon poets at The Hurst 2014 – by Richard Stephenson

Fun on the final night - by Richard Stephenson

Fun on the final night – by Richard Stephenson



The Old Dollop – an Englyn

The old dollop enjoys his jollop and
always talks lots of rot.
His hair is tied in a knot.
He wears shorts, sandals, blue socks.

Polly Robinson © 2014

This Celtic poetry form, the straight one-rhymed ‘englyn unodl union’ consists of four lines of ten, six, seven and seven syllables. The seventh, eighth or ninth syllable of the first line introduces the rhyme and this is repeated on the last syllable of the other three lines. The part of the first line after the rhyme alliterates with the first part of the second line.


In the Dark of the Moon

A reviewed version from the dark side for dVerse poets 2nd anniversary, where Tony Maude asked us to write to a previous prompt we missed. Sadly, I was too late to join in the dVerse fun … hey-ho! Here it is anyway:

A dark tale of the waning gibbous moon,
the one that lurks in the darkness tonight.
Brow louring, eyes glowering,
glittering red pinpricks emit from the pits;
the pity of the city wrapped in
the evanescence of the smile
it smirks
at those who lurk

They that shirk light on the earth,
in the shadow of moonshine,
that work to earn
a place in noir histoire.
They that taunt and haunt the
crooks of alleys, capes folded, who
lay in wait for those with stumbling gait,
who’ve imbibed a jar
or two …

They wait with needles,
keen sharp knives,
those who shiver and shrive themselves
to the priest
of the dark; who leave their mark,
a fusty tang, a taint of dung, blood-letters who
think of mortality only
as banality, forgetting that death
comes to all, and it’s only
a fall away.

Polly Robinson © 2013

20110718 Waning Gibbous Moon

20110718 Waning Gibbous Moon (Photo credit: Degilbo on flickr)


Scene Through Glass II

Early morning: I stand at the top of the stairs. Peek
through glass across fields. Lime green leaves of linden
dappling morning rays. A pheasant shrieks. All is well.

Polly Robinson © 2013

Fountains Through Lime Hedge

Fountains Through Lime Hedge (Photo credit: woodstocktaylor)